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Steve Gunn

Steve Gunn

And thus the beginning of a shined-up, mid-sixties pop apotheosis, a state of high songwriting accomplishment, on Gunn’s new album Other You. It’s a journey that can’t help but summon up Way Out Weather, the transformative ambition of that earlier record, its refreshing set of ideas about what was interesting about psychedelia, a love for the guitar as an instrument, but even more so here, on Other You, we have melody, timbral originality, a keen ear for production. Above all, the voice and lyrics take a new front seat on Other You, right where we can hear them. Gunn has allowed himself to be more apparent, like the Michael Stipe who suddenly appeared out of the murk on Document. There’s a person inhabiting these songs, a subjectivity, not just one of the best guitarists in contemporary music, not just a reporter with a winsome observational genius, here, a singer-songwriter, with a first-person voice, even if the songs seem rarely or only glancingly confessional. Now we have beautiful shimmering melodies, great melodies, and also that aching voice, at the tenor edge, and harmonies, singing up front.

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  • Steve Gunn
    Steve Gunn
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